In the forests of the night; What immortal hand or eye, Could frame thy fearful symmetry?
The poem is one of his best-known works. Structure The poem consists of 24 lines, broken up evenly into six quatrains. This lends to quite a lyrical read of the poem. The first and final stanzas are identical save for the change of one word— "could" is replaced with "dare" in the final lines of each stanza.
Analysis Tyger Tyger, burning bright, In the Analysis of the tyger and the of the night; The opening line directly addresses the Tyger or Tiger. Of course, it is unlikely the speaker means the Tyger is literally burning in a forest at night.
When the reader truly visualizes the intensity of the first two lines, the image is quite striking both in beauty and something akin to fear or foreboding. What immortal hand or eye, Could frame thy fearful symmetry?
That fear is then moved forward and spoken of in the following two lines. While the tiger may be beautiful and may stand out amongst other creatures and its environment, it is strong and terrifying.
The sentiment is so much so that only an "immortal hand" can frame, in other words handle or contain, the "fearful symmetry" of the Tyger. The symmetry can be pointing to the perfect balance of beauty and power, or destruction, the Tyger possesses.
It makes sense, then, that the speaker would claim and believe only an "immortal hand", likely the Christian God, can take control of the Tyger.
In what distant deeps or skies. Burnt the fire of thine eyes? The second quatrain opens up with the mention of the "deeps" and the "skies", bringing up high and low. The burning description reemerges further demonstrating the power of the Tyger and the awe is brings.
It is truly a creature that stands out, one that can be pictured in the skies heaven or the deeps hell, or some place just as terrible. On what wings dare he aspire? What the hand, dare seize the fire?
Though it is not explicitly clear whom the "he" mentioned in the seventh line of the poem is, the reader can deduce "he" is the creator of the Tyger. Wings are a symbol of flying and soaring so it makes sense the speaker has used them to point out "he" has risen toward his hopes and ambitions.
Those hopes and ambitions were not only to create the Tyger but also to "seize the fire.
The third quatrain continues the questioning of the creator and perhaps tamer of the Tyger. And when thy heart began to beat, What dread hand? The "dread hand" and "dread feet" can be referring to the hands of the creator and the feet of the Tyger. The creature is swift and strong. The creator with the shrewdness and brawn to "frame" the Tyger has his own dread, as the actual creature does.
These two lines symbolize the physical creation of the Tyger and what guides it, the brain. The brain controls thought and movement and was something which the reader can visualize being forged as a blacksmith makes an object.
Once again, the image of burning comes into play where the Tyger is concerned. Once again the word "dread" is used.
The poem’s opening line, ‘Tyger Tyger, burning bright’ is among the most famous opening lines in English poetry (it’s sometimes modernised as ‘Tiger, Tiger, burning bright’). Below is this iconic poem, followed by a brief analysis of the poem’s language, imagery, and meaning. In the forests of the night;. Related Questions. Paraphrase Tyger Tygerplease assist in paraphrase the rythm of The Tyger by William Blake; 1 educator answer I would like a short paraphrase for the poem "The Tyger". Paraphrase Tyger Tygerplease assist in paraphrase the rythm of The Tyger by William Blake 1 educator answer I would like a short paraphrase for the poem "The Tyger".
This is apt considering the Tyger has been painted as something of beauty and terror. However, in these two lines it seems the creator has a "dread grasp" that dares to hold on to the "deadly terrors" of the Tyger. These lines may be the most difficult to understand literally.
The spears of the stars can be taken as the light they give off and the water the heaven shed as tears may symbolize rain. What is of note is how both are celestial, pointing to the Christian God as the creator.
Did he smile his work to see? Did he who made the Lamb make thee? The Lamb of God is a very well known symbol of Jesus, meaning the speaker is wondering if the same God created both.
The speaker of the poem also wonders if the creator, again presumably the Christian God, smiled upon seeing his work of the Tyger completed. Tyger Tyger burning bright, In the forests of the night: What immortal hand or eye, Dare frame thy fearful symmetry?
As previously mentioned, the final stanza is nearly identical to the first stanza save for the change of a single word— "could" is replaced with "dare. Summary There are many questions posed in the somewhat concise poem by William Blake titled "The Tyger.The Tyger by William Blake Tyger! Tyger!
burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry? “The Tyger” by William Blake is often considered as one of the greatest poems ever written.
In this article, we will take a look at Blake’s tiger through a brief synopsis of the writing, an analysis of the poem, a look at any figurative language used, and end with a reading of the writing. The paradox for 'The Lamb' is titled 'The Tyger'.
The second poem is the other, darker side to the same coin. In the poem, the tiger is described as a cunning, cold and heartless animal.
The Tyger Analysis Essay An Incomprehensible Mystery William Blake’s The Tyger, in my opinion, is an intriguing poem that looks at the idea of how God is a mystery and how humanity is at a loss to fully understand his creations by contemplating the forging of a beautiful yet ferocious tiger.
“The Tyger” cont’d And what shoulder, and what art Could twist the sinews of thy heart? And when thy heart began to beat, What dread hand? and what dread feet? "The Tyger" contains only six stanzas, and each stanza is four lines long.
The first and last stanzas are the same, except for one word change: "could" becomes "dare." "The Tyger" is a poem made of questions.
There are no less than thirteen question marks and only one full sentence that ends with a period instead of a question mark.